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“[Chopin Piano Concerto n° 1] Musical interest
lies in the effortlessness with which the soloist diffuses the main themes across passagework ranging from coruscating
runs to limpid arabesques. A range such as Goerner, his dextrous style and clarity is ideally equipped to convey.
The opening Allegro emerged coherent and well-proportioned, its varied reprise following on seamlessly from the
cumulative sequences of the development. The half-lit tones of the Larghetto were shaded and the finale had the
requisite verve and lilting charm to round off the work in scintillating style”.
On line London,
6 April 2006, Richard Whitehouse
«Celebre il pianista argentino Nelson Goerner,
Beethoven e Rachmaninov come sountuoso programma. […]. Il protagonismo luminoso della parte pianistica ha messo
in risalto la sua interpretazione
vitale, elegante, coinvolgente: il suo suono affonda senza farne sentire il peso, le sensazioni, i nessi sono offerti
con la coscienza del piacere sublime del far musica e di viverla e di farla vivere, mescolando
al suo al nostro respiro”
Il Resto del Carlino,
Piacenza, 21 November 2005,
Ivana Baldassari
“…..where Nelson Goerner was the hero. For the four
Chopin Ballads as
performed by Goerner were not only a show of the highest level of pianistic technique. The Ballads were also an
excellent example of a truly Chopinist style of interpretation, especially as concerns a noble reticence in the
tempi and dynamics, the expression of articulation, the finesse of phrasing and the suggestiveness of expression.
Chopin part was preceded by beautifully played Schubert’s F-moll Impromptu and Schumann’s B-dur Humoresque … it
fascinated from the beginning to the end by the changing shades and moods and fine sense of humour.. It was really
an exceptional musical feast.
Ruch Muzyczny, Warsaw, 16 October 2005, Józef Kanski
«Excepcional virtuosismo de Nelson Goerner.
El concierto del joven
pianista quedarà para el recuerdo. En la Chacona de Bach-Brahms, al admirable toque polifónico empleado por el
pianista debe añadirse la calidad del sonido que extrajo del piano… Su pulcritud expositiva,con atinada pedalización,
registró la trama armónica de la textura cuyas voces intermedias perfectamente diferenciadas y combinadas expresaron
un estilo barroco de gran nivel [Beethoven, Brahms]
La Nacion, Buenos Aires, 29 June 2005 – Héctor Coda
"Goerner performed it [Prokofiev piano Concerto n° 2] with extreme
precision and just the right approach. In the first movement cadenza, and in the very different one in the fourth
movement, he knew how to make the theme stand out against its complex setting, and at the same time managed
to express all the angular lyricism of Prokofiev. He deserved the persistent applause of the audience..."
Diario de Navarra, Madrid, 23 January 2005
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